Pablo Agma (Vigo, Spain, 1997) is a filmmaker and audiovisual artist currently based in Vienna. His practice unfolds at the intersection of experimental cinema, performance, and analog media, with a focus on formats such as 16 mm, Super 8, and VHS.
From a poetics of misalignment and displacement, he explores how subtle deviations in symbols, archetypes, cultural gestures, and cinematic conventions can open fissures within dominant narratives. The fragility and imperfection of analog media activates unstable modes of perception that resist regimes of normativity, and control. Abjection and obsolescence are reclaimed as tools of formal and conceptual resistance.